Red Beet Records

Last Train Home
 
"One of the country's most formidable roots-rock bands."
 
  That's the assessment of Nashville's Tennessean newspaper about Last Train Home. And while roots-rock is at the heart of LTH's sound, don't overlook the country, bluegrass, swing, blues, folk, pop, and Tin Pan Alley influences you'll find if you lend this band an ear. What began as a part-time band in Washington D.C. back in 1997 has evolved into an acclaimed full-time touring group based out of Nashville.
   LTH frontman Eric Brace is a former staff writer for The Washington Post  where he was a columnist covering the local music and nightlife scene. Prior to Last Train Home, Eric played in several Washington area bands, including B-Time, the Beggars, and Kevin Johnson & the Linemen. He also ran a local rock label, Top Records, for many years, before focusing on his own music.
   It was in late 1996 that Eric began pulling together a band to record some of his songs. Those recordings became the band's eponymous debut, "Last Train Home," released in 1997 on the D.C. indie Adult Swim Records (run by Dischord Records co-owner and punk rock legend Jeff Nelson). In 1999, the band returned with the deeper and richer release, "True North." With rave reviews coming in on a regular basis, the band started touring the east coast more widely, and took a couple of trips to Nashville to play its music.
  Soon there was a Christmas EP, another EP of cover tunes, and another full-length CD, "Time and Water." The band's path was becoming clear. In January, 2003, just as it was being declared Washington D.C.'s "Artist of the Year" by the Washington Area Music Association, Last Train Home went full-time. With its profile rising, the band opened for Willie Nelson at the Wolf Trap amphitheater outside Washington, and for Dolly Parton at DAR Constitution Hall. After relocating to Nashville, LTH quickly became an integral part of Nashville's independent music scene, and was named by the Tennessean newspaper as one of the finest live acts of 2005: "Best Show: Tie between Neil Young at the Ryman and Last Train Home at the Family Wash."
   In 2005, the band released the CD "Bound Away," and followed that in 2007 with "Last Good Kiss," both widely-praised CDs that showed the band's extraordinary growth. That artistic evolution was rewarded with appearances on the CBS "Late Late Show with Craig Ferguson" and on the syndicated radio show "Mountain Stage." 
  To celebrate its tenth anniversary, LTH recorded and released a live concert DVD and CD, "Last Train Home Live at IOTA," a vivid document that captures the dynamic live performance that has become the hallmark of this band.
  Eric contributes most of the songs to LTH's recordings, but he also champions the works of such Washington area artists (and part-time LTH members) Alan Brace, Karl Straub, Steve Wedemeyer, Scott McKnight, and Bill Williams. He also finds lesser-known gems from the likes of Buck Owens, Tom T. Hall, Paul Kelly, Bob Dylan, and Barry White to add to the band's CDs and sets.
  Over the years, Last Train Home has included many superb musicians, including:
Jim Gray: Bass
Kevin Cordt: Trumpet
Tom Mason: Electric guitar
Dave Van Allen: Pedal steel
Tim Carroll:  Guitar
Paul Griffith:  Drums
Eric Fritsch: Guitar, keyboards
Chris Watling: Saxophone, accordion
Pete Finney: Pedal steel 
Martin Lynds: Drums
Steve Wedemeyer: Electric guitar
Jared Bartlett: Electric guitar
Scott McKnight: Electric guitar
Jen Gunderman: Keyboards, accordion
Bill Williams: Electric guitar
Alan Brace: Mandolin, harmonica
Doug Derryberry: Guitars, keyboards, mandolin
 
  The band has played more than a thousand shows over the years, including tours of Australia, Germany, Switzerland, and the Virgin Islands. With its 11 releases, Last Train Home is a prolific band that gets better with each release, and continues to be one of the most interesting bands on the landscape of American music.

You Don't Have To Like Them Both

Eric Brace & Peter Cooper

Buy This CD Now >>

Track Listing

  1. 1. I Know a BirdListen
  2. 2. Omar's Blues
  3. 3. Down to the WellListen
  4. 4. Drinking From a Swimming PoolListen
  5. 5. The Man Who Loves to HateListen
  6. 6. The First in LineListen
  7. 7. Denali, Not McKinleyListen
  8. 8. I Know Better NowListen
  9. 9. Lucky BonesListen
  10. 10. Her Bright Smile Haunts Me StillListen
  11. 11. Just the Other Side of NowhereListen
  12. 12. Yesterdays and Used to Be'sListen

Reviews

  • Mix
    The personality of this album: warm, unassuming, funny, relaxed—exactly what it should be without having any ego about it.  Brace and Cooper chose a dozen favorite songs beautifully suited to their voices and their front-porch approach....They gathered a group of musical friends to help realize this really beautiful, enjoyable album that displays a lot more heart and talent than you’ll hear most times you turn on the country radio.
  • No Depression
     Brace and Cooper's smart, soulful vocals sound great together, and the friendly vibe of their performances is truly engaging....this is a true-hearted pleasure of an album.
  • California Chronicle

    These two longtime music journalists have made some mighty fine music separately, Eric Brace over several albums with his band Last Train Home, and Peter Cooper with his 2008 debut, "Mission Door." With this collaboration, the two East Nashvillians sound as if they were meant to make music together, recalling great duos from the Delmores to the Everlys to the O'Kanes.

  • Audiophile Audition
    When I heard about Eric Brace and Peter Cooper collaborating on an album together, I thought we might in for a treat. I was proven right. Brace’s worn and soulful voice is perfectly matched by his songs, which take a bittersweet and melancholy look at life and relationships. Wonderful, heartfelt songs. As for Peter Cooper, I can’t think of a more witty and capable songwriter than him....“You Don’t Have to Like Them Both” serves as a testament to good friendship and fine musicianship...a treat for the ears and the soul.
  • Hickory Wind
    Peter Cooper and Eric Brace (Last Train Home) combine their talents on “You Don’t Have To Like Them Both” and it’s a disc that is hard to not like....The duo’s voices compliment each other, blending perfectly in a way I haven’t heard since Texas favorites Shake Russell and Dana Cooper (no relation) flirted with fame in 1980s. Listening to the disc it is easy to imagine these two talented buddies jamming on a porch in front of some very lucky friends. I’m sure Peter and Eric wouldn’t mind if you picked up a copy and crashed the party.
  • Country Standard Time

    Duets are fun to sing when the chemistry's right, and when listening, if the voices intertwine effortlessly, the alchemy is a wonderment. Eric Brace and Peter Cooper each have distinctive musical voices that meld together delightfully throughout.

  • Charleston Gazette
    Journalists who moonlight as musicians (or vice versa) are always worthy of some skepticism (take it from one who knows) but this collaboration between former Last Train Home singer/songwriter (and former Washington Post music writer) and singer/songwriter (and current music writer for The Tennessean) is the best of both worlds.
  • Honest Tune
    Nashville singer/songwriter Eric Brace's tenor voice is like a favorite blanket or crackling fire on a cold February evening; warm and rich, it resonates simple comfort. Together with Peter Cooper....their recent release, You Don't Have to Like Them Both, is a record that showcases both their collective songwriting brilliance and their take on the work of their Americana peers.... Over a wondrous blend of electric and acoustic guitars, and highlighted by more beautiful pedal steel, Cooper and Brace trade lead vocal duties and their harmonies in the chorus are a sonic treat. You Don't Have to Like Them Both serves notice that, sometimes, pure happenstance can lead to something beautiful. We should cross our fingers and hope that it would happen more often.
  • Vintage Guitar

    "A portrait of friendship and song".... The music resides in the space between folk and country. It's tight and catchy without being slick or overly commercial; perhaps the term "back-porch country" best describes the mood....The picking on 'You Don't Have To Like Them Both,' is first-class...production is warm and natural....  If you like music that doesn't need to be glossy to deliver its message with impact, then 'You Don't Have To Like Them Both' should be part of your next musical meal.

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