Red Beet Records

Last Train Home
 
"One of the country's most formidable roots-rock bands."
 
  That's the assessment of Nashville's Tennessean newspaper about Last Train Home. And while roots-rock is at the heart of LTH's sound, don't overlook the country, bluegrass, swing, blues, folk, pop, and Tin Pan Alley influences you'll find if you lend this band an ear. What began as a part-time band in Washington D.C. back in 1997 has evolved into an acclaimed full-time touring group based out of Nashville.
   LTH frontman Eric Brace is a former staff writer for The Washington Post  where he was a columnist covering the local music and nightlife scene. Prior to Last Train Home, Eric played in several Washington area bands, including B-Time, the Beggars, and Kevin Johnson & the Linemen. He also ran a local rock label, Top Records, for many years, before focusing on his own music.
   It was in late 1996 that Eric began pulling together a band to record some of his songs. Those recordings became the band's eponymous debut, "Last Train Home," released in 1997 on the D.C. indie Adult Swim Records (run by Dischord Records co-owner and punk rock legend Jeff Nelson). In 1999, the band returned with the deeper and richer release, "True North." With rave reviews coming in on a regular basis, the band started touring the east coast more widely, and took a couple of trips to Nashville to play its music.
  Soon there was a Christmas EP, another EP of cover tunes, and another full-length CD, "Time and Water." The band's path was becoming clear. In January, 2003, just as it was being declared Washington D.C.'s "Artist of the Year" by the Washington Area Music Association, Last Train Home went full-time. With its profile rising, the band opened for Willie Nelson at the Wolf Trap amphitheater outside Washington, and for Dolly Parton at DAR Constitution Hall. After relocating to Nashville, LTH quickly became an integral part of Nashville's independent music scene, and was named by the Tennessean newspaper as one of the finest live acts of 2005: "Best Show: Tie between Neil Young at the Ryman and Last Train Home at the Family Wash."
   In 2005, the band released the CD "Bound Away," and followed that in 2007 with "Last Good Kiss," both widely-praised CDs that showed the band's extraordinary growth. That artistic evolution was rewarded with appearances on the CBS "Late Late Show with Craig Ferguson" and on the syndicated radio show "Mountain Stage." 
  To celebrate its tenth anniversary, LTH recorded and released a live concert DVD and CD, "Last Train Home Live at IOTA," a vivid document that captures the dynamic live performance that has become the hallmark of this band.
  Eric contributes most of the songs to LTH's recordings, but he also champions the works of such Washington area artists (and part-time LTH members) Alan Brace, Karl Straub, Steve Wedemeyer, Scott McKnight, and Bill Williams. He also finds lesser-known gems from the likes of Buck Owens, Tom T. Hall, Paul Kelly, Bob Dylan, and Barry White to add to the band's CDs and sets.
  Over the years, Last Train Home has included many superb musicians, including:
Jim Gray: Bass
Kevin Cordt: Trumpet
Tom Mason: Electric guitar
Dave Van Allen: Pedal steel
Tim Carroll:  Guitar
Paul Griffith:  Drums
Eric Fritsch: Guitar, keyboards
Chris Watling: Saxophone, accordion
Pete Finney: Pedal steel 
Martin Lynds: Drums
Steve Wedemeyer: Electric guitar
Jared Bartlett: Electric guitar
Scott McKnight: Electric guitar
Jen Gunderman: Keyboards, accordion
Bill Williams: Electric guitar
Alan Brace: Mandolin, harmonica
Doug Derryberry: Guitars, keyboards, mandolin
 
  The band has played more than a thousand shows over the years, including tours of Australia, Germany, Switzerland, and the Virgin Islands. With its 11 releases, Last Train Home is a prolific band that gets better with each release, and continues to be one of the most interesting bands on the landscape of American music.

Bound Away

Produced by Jared Bartlett
Studio engineering by Jared Bartlett at Stage Right Studio (Vienna,VA), Assembly Line Studio (Vienna, VA), and Dragonfly (Haymarket, VA).

Additional studio engineering by Jason Hall at The Parlor (Nashville, TN), and Tony Alany at Assembly Line Studio.

Studio assistance from Scott Spelbring (Dragonfly).

Mixed by Jared Bartlett at Stage Right Studio (Vienna, VA)

Mastered by Fred Kevorkian (New York City)

CD booklet design by Bill Thompson

Cover photograph : Rosslyn Metro Station, Getty Images



In memory of Paul Brace, 1923-2004

Buy This CD Now >>


Track Listing

  1. 1. MarleneListen
  2. 2. Dog On The East SideListen
  3. 3. HendersonvilleListen
  4. 4. Tonight I'll Be Staying Here With You
  5. 5. Rye WhiskeyListen
  6. 6. To Her DoorListen
  7. 7. They Dance Real Close ThereListen
  8. 8. Gravedigger's Blues
  9. 9. Flipping QuartersListen
  10. 10. Matchbook MessageListen
  11. 11. Train Of Love Listen
  12. 12. Bound AwayListen

Reviews

  • Twangville
    TOP TEN CDs OF 2005
    #5 - Bound Away, Last Train Home

    Nothing can be finer than when a great band exists in your local area. For me in Northern Virginia, that band is Last Train Home. I first became aware of them this year when they made it to the AMA Chart. Since then, I had the chance to go see them at the 2005 Old Dominion Beer Festival. I was immediately won over and have included them in my favorite current bands. Lead singer Eric Brace's vocals are reminiscent of Patterson Hood of Drive-by Truckers fame and Willy Braun of Reckless Kelly.
    Key Tracks: Hendersonville, Gravedigger's Blues, Flipping Quarters, Marlene
  • Washington Post
    By Mike Joyce

    Last Train Home has racked up countless miles since frontman Eric
    Brace went on leave from his job as Nightwatch columnist for The
    Washington Post in 2002. The band's latest release, its most
    consistently rewarding album yet, reflects Brace's extended stay in
    Nashville, where he now resides part time.
        
         The singer's Tennessee ties are unmistakable on three standout
    tracks. Certainly nothing on "Bound Away" is more spirited than "Train
    of Love," which celebrates, at a breakneck tempo, Johnny Cash's lifelong
    affection for railroad songs. More emotionally complex and moving,
    however, is "Hendersonville," an elegiac, road-weary ballad that Brace
    composed after visiting the grave sites of Cash and his wife, June
    Carter Cash. In sharp contrast, Brace tips his hat to Bob Dylan with a
    cover version of "Tonight I'll Be Staying Here With You" that
    exuberantly evokes his "Nashville Skyline" period.
        
         And the tributes don't end there. John Jackson, the late Piedmont
    bluesman, is the inspiration for "Gravedigger's Blues," a somber
    admonition underscored by Jeff Lang's slashing slide work on resonator
    guitar. Dark, soulful and eerie, the performance calls to mind blues
    guitarist John Hammond's recent collaborations with Tom Waits. Likewise,
    "Dogs on the East Side" and "Flipping Quarters" offer proof that Brace
    hasn't let years of grueling road work compromise his songcraft.
    Similarly well-written ballads by Kevin Johnson, Karl Straub and other
    contemporary tunesmiths round out the album.
        
         In addition to Brace's appealing vocals, Last Train Home's
    unusually colorful instrumentation makes much of the roots-oriented
    competition sound amateurish by comparison. Credit for that goes to
    electric guitarist Jared Bartlett, steel guitarists Dave Van Allen and
    Pete Finney, trumpeter Kevin Cordt, keyboardist Ericson Holt and
    vocalist Alice Despard, among other band members and guests.
  • Smoky Mountain News

    By Chris Cooper

    BOUND AWAY - A GREAT PIECE OF WORK
    Eric Brace writes damn fine songs. His band Last Train Home plays these songs pretty damn well, too. Heck, Mr. Brace does some great stuff with the songs he didn't write, as well. Bound Away is such a good listen that I've had a bit of trouble finding a way to start the review, so let's just leave it at this: go buy it and enjoy it.

    In the wake of Wilco, the Jayhawks, Son Volt and the whole alt-country explosion of the last decade, there's been some wonderful and some not-so-wonderful music made. Artists that had been doing this the whole time (Duane Jarvis, Neko Case and Two Dollar Pistols come to mind) began receiving much deserved credit, while some got more praise and recognition than they may have deserved. Not the case with these guys. Last Train Home formed officially in 1997, after singer/songwriter/guitarist Eric Brace had spent years in various bluegrass, pop and rock groups. It was time well spent, as the inevitable musical connections formed in this time would give birth to the first incarnation of the band, opening for the Waco Brothers at the Black Cat in Washington, D.C.

    This little bit of background is thrown in mainly for the purposes of name- dropping for the curious, and to illustrate an important reality: bands don't just appear neatly packaged from out of nowhere. Even those that exist just under the national radar have worked for years honing their craft in the studio and in clubs around the country. And from the opening track Marlene on Bound Away, Brace and company's grace, confidence and work are smack-you-in-the-face obvious. It's a perfectly timed slice of country pop that pokes its head up and disappears long before wearing out its welcome. Dogs on the East Side wraps a Tom Waits-styled backdrop of wiggly organ and gritty drums, along with some beautifully understated Chet Baker-ish trumpet, around appropriately moody lyrics and melody.

    Hendersonville... jeez. Yes, it's said to have been written after Brace's visit to the grave of Johnny Cash. Whether you know that or not, the song will pretty well just pull your heart out. Pete Finney's pedal steel break on this tune is one of the most gorgeous things committed to tape. Ever. In fact, the ten musicians that comprise Last Train Home are all perfectly cast in every song, each voice providing something unique. Jared Bartlett's layered electric guitar outro on Hendersonville, crunchy fills throughout the Dylan cover Tonight I'll Be Staying Here With You and ultra tasteful work in To Her Door are perfect examples of song-conscious playing. Besides, the guy also engineered and mixed the whole thing.

    The album closer and title track, Bound Away is yet another pleasant surprise, and once you realize it's going to be an instrumental track, even more enjoyable. Jeff Lang's echo laden, verging on feedback guitar work is just killer, and as a whole the song has a fragility and power that closes the album in such a beautiful way. It may be necessary to categorize music, and that's fine. But it is nice to hear something every now and again that transcends genre boundaries and stands on its own as simply a great piece of work. Bound Away does so effortlessly. And if you miss these guys in an intimate setting like Westville Pub in Asheville on Nov. 17, you're absolutely nuts.

    Without a doubt, 5 stars. 
  • Sing Out!
    By RL

    As a genre, alternative-country began as a fresh alternative to commercial
    country, but, unfortunately, soon developed its own clich�s.  Singers
    developed the appropriate twang, hired a steel player, and added a bit of
    world-weariness for the college crowd.  It's nice when a band like Last
    Train Home, then, comes along with an album like Bound Away.  Yes, singer
    Eric Brace does sound a little like Jay Farrar from Uncle Tupelo / Son Volt,
    and the band does use steel guitar, but they never sound as though they're
    trying too hard to re-incarnate their alternative-country forefathers.

    Bound Away kicks off with the Southern tinged "Marlene," a nice bit of
    country with a spacious arrangement.  Last Train Home has a knack, like the
    Tarbox Ramblers of transforming tradition, and turns in a nifty version of
    "Rye Whiskey."  The best cover on the album, though, is a rather aggressive
    take on Bob Dylan's "Tonight I'll Be Staying Here With You."  The band
    wisely ignores the original version and delves into this classic with heavy
    electric guitar, steel and organ, turning a rather quiet love song into
    something brash and exciting.  There are also a few really nice and unusual
    touches on Bound Away, like Kevin Cordt's trumpt work on "Dogs on the East
    Side" and "Train of Love."

    For those sick of alternative country clich�s, Last Train Home has concocted
    an energetic album with innovative arrangements and, more importantly, a
    complete lack of pretension.
     
  • Relix Magazine
    By Robert Turner

    This affecting collection of songs centers on the talents of Eric Brace, who repeatedly uses clever imagery ("flipping quarters by the pay phone," "matchbook message written with a barman's pen"). A trip to the resting place of Johnny and June Carter Cash inspired the sublime "Hendersonville" and the sounds of Nashville prompted the introspective "Dogs on the East Side." Brace's vocal control is evident as he croons "They Dance Real Close There" with appropriate tenderness, and the traditional "Rye Whiskey," with palpable hopelessness.  Guest musician Jeff Lang is essential to this album, his dobro adds grit to "Gravedigger's Blues" and he exquisitely negotiates a cranked-up electric guitar, bringing a spellbinding aura to the instrumental title track which serves as an appropriate disc closer.
Home | Newsletter | All contents © 2008 Red Beet Records | powered by MCN

ARTISTS: Eric Brace | Last Train Home | Peter Cooper | Fayssoux | The Skylighters | Compilations