Red Beet Records

Last Train Home
 
"One of the country's most formidable roots-rock bands."
 
  That's the assessment of Nashville's Tennessean newspaper about Last Train Home. And while roots-rock is at the heart of LTH's sound, don't overlook the country, bluegrass, swing, blues, folk, pop, and Tin Pan Alley influences you'll find if you lend this band an ear. What began as a part-time band in Washington D.C. back in 1997 has evolved into an acclaimed full-time touring group based out of Nashville.
   LTH frontman Eric Brace is a former staff writer for The Washington Post  where he was a columnist covering the local music and nightlife scene. Prior to Last Train Home, Eric played in several Washington area bands, including B-Time, the Beggars, and Kevin Johnson & the Linemen. He also ran a local rock label, Top Records, for many years, before focusing on his own music.
   It was in late 1996 that Eric began pulling together a band to record some of his songs. Those recordings became the band's eponymous debut, "Last Train Home," released in 1997 on the D.C. indie Adult Swim Records (run by Dischord Records co-owner and punk rock legend Jeff Nelson). In 1999, the band returned with the deeper and richer release, "True North." With rave reviews coming in on a regular basis, the band started touring the east coast more widely, and took a couple of trips to Nashville to play its music.
  Soon there was a Christmas EP, another EP of cover tunes, and another full-length CD, "Time and Water." The band's path was becoming clear. In January, 2003, just as it was being declared Washington D.C.'s "Artist of the Year" by the Washington Area Music Association, Last Train Home went full-time. With its profile rising, the band opened for Willie Nelson at the Wolf Trap amphitheater outside Washington, and for Dolly Parton at DAR Constitution Hall. After relocating to Nashville, LTH quickly became an integral part of Nashville's independent music scene, and was named by the Tennessean newspaper as one of the finest live acts of 2005: "Best Show: Tie between Neil Young at the Ryman and Last Train Home at the Family Wash."
   In 2005, the band released the CD "Bound Away," and followed that in 2007 with "Last Good Kiss," both widely-praised CDs that showed the band's extraordinary growth. That artistic evolution was rewarded with appearances on the CBS "Late Late Show with Craig Ferguson" and on the syndicated radio show "Mountain Stage." 
  To celebrate its tenth anniversary, LTH recorded and released a live concert DVD and CD, "Last Train Home Live at IOTA," a vivid document that captures the dynamic live performance that has become the hallmark of this band.
  Eric contributes most of the songs to LTH's recordings, but he also champions the works of such Washington area artists (and part-time LTH members) Alan Brace, Karl Straub, Steve Wedemeyer, Scott McKnight, and Bill Williams. He also finds lesser-known gems from the likes of Buck Owens, Tom T. Hall, Paul Kelly, Bob Dylan, and Barry White to add to the band's CDs and sets.
  Over the years, Last Train Home has included many superb musicians, including:
Jim Gray: Bass
Kevin Cordt: Trumpet
Tom Mason: Electric guitar
Dave Van Allen: Pedal steel
Tim Carroll:  Guitar
Paul Griffith:  Drums
Eric Fritsch: Guitar, keyboards
Chris Watling: Saxophone, accordion
Pete Finney: Pedal steel 
Martin Lynds: Drums
Steve Wedemeyer: Electric guitar
Jared Bartlett: Electric guitar
Scott McKnight: Electric guitar
Jen Gunderman: Keyboards, accordion
Bill Williams: Electric guitar
Alan Brace: Mandolin, harmonica
Doug Derryberry: Guitars, keyboards, mandolin
 
  The band has played more than a thousand shows over the years, including tours of Australia, Germany, Switzerland, and the Virgin Islands. With its 11 releases, Last Train Home is a prolific band that gets better with each release, and continues to be one of the most interesting bands on the landscape of American music.

Track Listing

  1. 1. The Blackest CrowListen
  2. 2. EarlyListen
  3. 3. Save It! Save It!Listen
  4. 4. I Know It's Over
  5. 5. California Earthquake Listen
  6. 6. Amen ChildrenListen
  7. 7. BuglerListen
  8. 8. Walking Home in the RainListen
  9. 9. I Know How It Feels to LoveListen
  10. 10. Miss the Mississippi and You Listen
  11. 11. Weepin' MaryListen

Reviews

  • The Tennessean
    Back in the '70s, her gorgeous harmonies (credited under her then-married name Starling) graced recordings by the likes of Emmylou Harris and Linda Ronstadt, but unless you're an inveterate liner-note reader, Fayssoux McLean's solo debut will likely prove a revelation.
     
    Early finds McLean drinking deeply of the unvarnished folk, country and gospel music of her native South Carolina. The backing is spare and empathetic, leaving room for McLean to burrow into an elegant mix of originals and ringers, including surefire material from Paul Craft and Rodney Crowell.

  • No Depression
    The regal, elegant voice of Fayssoux McLean drips with a graceful ease that comes only with experience. In her case, that includes singing with Emmylou Harris for many years and a first marriage to the Seldom Scene's John Starling. Somehow this is the first album with her name at the top. Produced by fellow Spartanburg, South Carolina, expatriate Peter Cooper, it lands somewhere between folk, country-rock and bluegrass on traditional tunes and songs from Fayssoux and her contemporaries, including Rodney Crowell (a Burritos-style "California Earthquake") and David Ezell (the gently swinging "I Know How It Feels To Love"). Guests include Emmylou, Ricky Skaggs, Lloyd Green, Jen Gunderman, David Ball and Joy Lynn White, but Fayssoux and her regular accompanist Brandon Turner are more enhanced than overwhelmed by the assistance.
  • Freight Train Boogie (website)
    She’s got a voice that would charm a possum out of a tree and there’s a quiet dignity and grace to every song that she favours with her performance, be it gospel, traditional, or contemporary. She disappeared for a couple of decades a ways back there, but circumstances brought her to the attention of Peter Cooper and the denouement is most fortuitous indeed. The turn that she can give to a song such as “I Know How It Feels To Love” is a beautiful thing to behold, (behear?). Welcome back Fayssoux, don’t be a stranger anymore.
     
  • Palo Alto Daily News
    Formerly a backup for Emmylou Harris, Fayssoux McLean demonstrates rare and heart-grabbing skills as singer and songwriter. Such celebrated friends as Emmylou, Ricky Skaggs and the Whites appear on the album. Fayssoux's voice is both gentle and intensely moving. The material, whether original or her own, connects with listeners on a profound level.
     
  • SonicBoomers.com (website)
    The story behind this album has such elements of eloquence and emotion that it almost defies belief. Singer Fayssoux McLean quit performing in the ‘70s and became a schoolteacher in South Carolina. In 1996, Peter Cooper was writing a book about Spartanburg, where McLean lived, and found her. Ten years later, this album became a reality, produced by Cooper, now a journalist and musician in Nashville. Fayssoux’s voice has that timeless quality of those who have a special relationship with the world, one centered in the earth but also looking at the sky. Her original songs capture an inner beauty that can only come from living for the long game, speaking with a permanence so reassuring it’s like we’re all still her students. Special guests Emmylou Harris, Ricky Skaggs, the Whites and David Ball, among others, add to the affair, but Fayssoux herself is leading this parade—right down the middle of the street where she belongs. Hooray.
     
  • Yesterday & Today (Australian newsletter)
    To say this album is spectacular doesn’t do it justice; to say it is up there with Kimmie Rhodes “West Texas Heaven”, Emmylou’s own “Roses in the Snow” and Iris Dement’s wondrous “Infamous Angel” does. It is that good....This album should have happened years ago. Thank God it is here with us now.  
  • Elmore magazine
    Fayssoux McLean is an amazing singer/songwriter who has spent a major part of her musical career in a supporting role, providing heavenly harmonies on several of Emmylou Harris’ finest albums....This debut album is a treasure chest of gorgeous music, supported by an all-star cast of appreciative fellow musicians, including Harris, Sharon and Cheryl White, Joy Lynn White, guitarist and producer Cooper, mandolinist Ricky Scaggs, keyboardist Jen Gunderman, guitarist/harmony singer Brandon Turner, and the legendary pedal steel and dobro player, Lloyd Green. Two of the most beautiful tracks were written by Fayssoux: “Early” is a plea to take advantage of the moment and connect, and “I Know It's Over” is a classic country lament that mourns the inevitable dissolution of a long-term relationship. Notably, the harmonies of Harris and the pedal steel of Green are prominent on both these tracks. Also included are Rodney Crowell's “California Earthquake” and Bill Halley's “Miss the Mississippi and You.” This is such a satisfying musical delight; one can only hope that Cooper and his “new” protégée will begin work on more of the same. 
  • Mix Magazine
    If you were a fan of Emmylou Harris’ remarkable 1970s albums, then you’ve heard what a beautiful voice Fayssoux has: As Fayssoux Starling (now McLean), she was a reliable presence singing alto harmony vocals on many a fine song. Now, Fayssoux’s solo album successfully re-creates some of the approach and feeling of those classic Emmylou discs, and announces its creator as a rich talent on her own. There’s a pleasing mix of folky country tunes, a little honky-tonk, some uplifting gospel and plenty of gorgeous ballads. Also in that early Hot Band tradition, the arrangements here are all classy and impeccable; there’s nary a wasted note. Emmylou sings harmony on three tunes, The Whites on some others, and pedal steel/Dobro master Lloyd Green and mandolinist Ricky Skaggs add nice instrumental touches. A lovely piece of work!

  • Miles of Music
    Fayssoux McLean was best known in music circles for providing harmonies on the first four Emmylou Harris solo albums. Journalist and musician Peter Cooper coaxed Fayssoux from retirement resulting in this sublime country album. McLean and Cooper combined her originals, traditional songs her grandma used to sing, and classics from well respected songwriters. Cooper, Lloyd Green, and Brandon Turner provide a gentle, aching country backing. Several old friends and admirers contribute, including former boss Harris but never overshadow the true star in this production, Fayssoux McLean.  
  • Bob Edward's Review
    Peter Cooper and Fayssoux were both interviewed by Bob Edwards, the legendary radio man, formerly of NPR's "Morning Edition," now with XM Radio. The interviews first aired on April 3, 2008. They're available as downloadable podcasts.
    By Bob Edwards

    Last month I opened a package containing two cd’s mailed to me by Red Beet Records. One was called “Mission Door” by a handsome young man named Peter Cooper. I’d never heard of him, so I put the disc aside and looked at the other one. I believe I actually heard myself gasp at that point because the artist on the second cd was billed simply as Fayssoux. In my whole life I’ve only known of one performer with that name, but I hadn’t heard of her for thirty years and wondered if it could be the same one. It was, so I began the maddening and laborious process of trying to get the cd out of its packaging. Twenty minutes later (a personal best time), I finished the task and was hearing that wonderful voice again.

    She was once Fayssoux Starling, the wife of John Starling, the original guitarist and vocalist for the innovative bluegrass band, the Seldom Scene. Under that name, she sang backing vocals on at least twenty of Emmylou Harris’s first songs back in the 1970’s. It was a starter marriage and when it dissolved, Fayssoux disappeared from the professional music world. Now all these years later, here’s this cd and her name is now Fayssoux McLean. It says on the production notes that the cd was produced by this Peter Cooper fellow, the guy on the other cd, and BONUS----there are backing vocals by Emmylou! The two have switched roles. This calls for an interview. An online search revealed Fayssoux and Peter were coming to town in just a few days, so I booked them both and started doing the research, which yielded still more fabulous details.

    ...Listen to Fayssoux sing a beautiful song that she wrote. It’s called “Early” and it’s the title cut from her cd, with delicious backing vocals by Emmylou—a pair of angels, those two.


  • Green Man Review
    Fayssoux has a warm, lived-in alto that's instantly likeable. And she and producer Peter Cooper have picked some very suitable material for Early, beginning with the traditional folksong "The Blackest Crow." It's very old-time sounding for the most part, with lovely three-part harmonies on the final verse from Cooper and Emmylou (!), and some nice touches of pedal steel from the great Lloyd Green, who recently came out of retirement after a long and storied career.

    The traditional songs are all high points. The other two are bluegrass gospel songs, "Amen Children" and "Weepin' Mary," both of which have Ricky Skaggs on mandolin and harmony vocals by Sharon and Cheryl White of The Whites -- very rousing songs. Even more rousing is the honky-tonking rockabilly of "Save It! Save It!" with some hot electric guitar from Brandon Turner and Paul Griffith's steady drumming. She also does a nice job on Rodney Crowell's "California Earthquake," which benefits from some organ and accordion by former Jayhawk Jen Gunderman.  Both "Early" and "I Know It's Over" by Fayssoux are touching songs in the contemporary folk-country vein.  As far as I'm concerned, [Early] is in the running for contemporary folk album of the year for 2008.
     
  • Charleston Gazette
    Its' no wonder that Emmylou Harris is one of Fayssoux's biggest fans. Fayssoux McLean has been singing behind and alongside Harris for years on some of her signature tracks ("Luxury Liner," "Elite Hotel," "Spanish is a Loving Tongue" and "Green Rolling Hills"). But aside from that - high praise in itself - McLean's voice more than fits the bill as "classic": clear, a hint of fragility and the ability to soar on a dime. On this long overdue debut, she's joined by Harris, Ricky Skaggs and the Whites. The songs are a mix of new and old - but McLean's voice gives each one a timeless quality. Her version of Rodney Crowell's "California Earthquake" (with producer/songwriter/journalist Peter Cooper playing her Gram Parsons) is sublime and beautiful while the Whites and Skaggs help her turn the traditional "Amen Children" and "Weepin' Mary" (both of which McLean's grandmother learned from field hands on her family farm) into joyful, rolling old time bluegrass. A veteran back-up singer, McLean has also mastered the fine art of blending with other singers. On "Save it! Save it!" and "I Know It's Over," Cooper and Harris' voices all but disappear into the mix, making the two voices sound as one.  
  • R.J. Chesney's MySpace Blog
    April 2008 Artist pick of the month....
    My pick of the month for April 2008 is way over qualified for this monthly blog that spotlights up and coming artists who are unsigned, relative unknowns, or developing talents..... This woman is already a master at her craft.  This months honoree has been singing professionally for over 30 years.  She has worked with countless legends in Bluegrass, Americana and Country.... I first became aware of her years ago for her Duets and harmony singing on several of Emmylou Harris’ landmark albums from the 70’s.

    Fayssoux (Formely known as Fayssoux Starling) has racked up dozens of credits as a harmony singer. Most famously duetting with Emmylou on Green Rolling Hills... It is shocking to me that Fayssoux just released her first solo album of her career. The album is called "Early" and it is way overdue.   Fayssoux may not be "early" but she has delievered an album that is  beautiful, sparse and heartfelt.

    From the opening song The Blackest Crow (a traditional song that I had never heard until I got this album) to the closing song Weepin Mary (this traditional gospel song has beautiful harmony provided by the Whites of "Oh Brother" fame)... Fayssoux gives us a lesson in song interpretation, restrained and not one note out of place....Fayssoux puts her heart and soul into the songs and the result is life affirming and stunning......

    I cannot recall the last time I heard an album so traditionally country. Fayssoux has a style all her own. This album sounds like its been waiting 30 years to be born and its sounds like the album Fayssoux was born to make.......

    There are several guest artists on the album including Joy Lynn White , Ricky Scaggs , David Ball and YES Ms . Emmylou Harris!

    Emmylou sings on three of the songs including the title cut "Early"... The combination of the two voices together is simply sublime! Music magic! I only pray she doesn’t wait another 30 years to grace us with her precious gifts.... A BRILLANT TALENT my life is  better for having had the pleasure to hear her sing.... She reminds me why I love music so much.
  • AngryCountry.com
    Fayssoux has one of those voices that was born to sing country music… a classic style of voice that allows her to sweep you away to the days of cowgirls and their lives, loves, and stories. What I absolutely love about EARLY is that it has the feel of those songs that you would expect to sing on the front porches of our homes across America. Simply a classic album!

  • Americana Gazette (Wisconsin)
    .... beautiful...
       I love Fayssoux!  She is talented, gracious, and funny.  Fayssoux may not be a household word in many peoples musical vocabulary now, but with the release of this CD it soon will be.  This CD is filled with wonderful songs, beautiful harmonies, and unbelievable guitar playing....This CD has some of the most beautiful recorded acoustic guitar you will ever hear....

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